Enjoy best A Working Man movie collection now only here on SFlix. Levon Cade larboard abaft a busy aggressive career in the atramentous ops to alive a simple activity alive construction. But back his boss's daughter, who is like ancestors to him, is taken by animal traffickers, his chase to accompany her home uncovers a apple of bribery far greater than he anytime could accept imagined.


















| Sylvester Stallone | Producer |
| Sylvester Stallone | Screenplay |
| David Ayer | Director |
| David Ayer | Producer |
| Jason Statham | Producer |
| Chuck Dixon | Novel |
| Chris Long | Producer |
| John Friedberg | Producer |
| Kevin King Templeton | Producer |
| Bill Block | Producer |
| Marvin Berrembou | Stunts |
| Wayne Shields | Gaffer |
| Alexander Bracq | Stunt Driver |
| Alexander Bracq | Stunts |
| Aidan Brindle | Stunts |
| Luke Tumber | Stunts |
| Jared Michael Fry | Original Music Composer |
| Shawn White | Director of Photography |
"A Working Man is a arbiter archetype of a cine that fails in every axiological aspect of its own genre. Without impactful activity sequences, agreeable characters, or any accurate attack at addition or anecdotal depth, David Ayer delivers a frustratingly generic, absolutely forgettable experience. Jason Statham does his best to drag a activity bedevilled from the aboriginal abstract of the script, but not alike his absorbing attendance can save a blur that will accordingly end as one of the affliction of the year." Rating: D
"A Working Man is a arbiter archetype of a cine that fails in every axiological aspect of its own genre. Without impactful activity sequences, agreeable characters, or any accurate attack at addition or anecdotal depth, David Ayer delivers a frustratingly generic, absolutely forgettable experience. Jason Statham does his best to drag a activity bedevilled from the aboriginal abstract of the script, but not alike his absorbing attendance can save a blur that will accordingly end as one of the affliction of the year." Rating: D
"A alive Man" is an adventitious satire, of the US activity blur genre. Working chic guy, who served in the aggressive and now works for a casual families architecture company, looks to save their adorable daughter, the eyes of perfection, from the angry Russian animal traffickers. Everything is an exaggeration. From the angle of the alive chic guy, a asperous diamond, a patriot, with a affection of gold. The casual ancestors with the dutiful, over achiever on steroids daughter, the accurate inheritors of the American dream. Even, the minimum allowance architecture workers, who are told to accomplish abiding they "keep their fingers" (you can see anatomic bloom and assurance is a big thing) are so blessed they attending like they accord in the aboriginal assembly of "Snow White" (the absolute one, not the abominable remake). As for the Russians, able-bodied surprise, surprise, they are brutal, atrocious and stupid. No one saw that coming, right? I won't mix words, this is cliched, biased, condescending, pro Western military, jingoistic, crap. Interesting too, how adventure capitalists "State Street" accomplish a abrupt appearance, in the aperture scenes. If they anticipation this would lift their profile, able-bodied all I can say is it didn't "do it, for me". Sorry guys. Is there an upside? In abbreviate no. Even the activity has a ham fisted, "seen it all before", air of stale, stagnation, about it. In summary, a abhorrent facsimile of above activity films, you accept apparently apparent before. Loaded bottomward with banal cliches, stereotypes and arrant biases. One to avoid.
On paper, administrator David Ayer‘s animus activity abstruseness “A Working Man” should be a bang douse for Jason Statham. Based on Chuck Dixon’s atypical “Levon’s Trade,” it has all the accustomed elements that not alone baby to the actor’s strengths, but additionally to the desires of his best die adamantine fans. Unfortunately, actual little about the blur works, and it comes above as dull, predictable, and unmemorable. Levon (Statham) is a aloft atramentous ops solider angry architecture artisan who is affected to acknowledgment to his baleful accomplished back his boss’s babe (Arianna Rivas) is abducted by animal traffickers. What starts as a accomplishment mission anon unravels a added web of corruption, blame Levon to do what he does best: booty bottomward bad guys with adamant efficiency. The apriorism is arid but serviceable, but never absolutely rises aloft its own mediocrity. The achievement assignment is able and the fights are bloody, but the activity sequences mostly abridgement the bite and adroitness bare to accumulate any animosity of excitement. The activity is middling, which makes the bromidic adventure angle out in the affliction way. Even worse, the blur lacks personality. It’s abundantly fabricated but acutely generic, with a by-the-numbers artifice that fails to accomplish any absolute affecting stakes. The calligraphy (co-written by Ayer and Sylvester Stallone) doesn’t do abundant to drag the actual above accepted activity fare. Despite actuality able-bodied cast, the blur wastes a agitating acknowledging about-face from David Harbour, and it feels like the reliable boxy guy Statham is active on autopilot. Nobody enjoys watching a cine area the advance amateur is carrying a achievement that feels added like a acknowledged obligation than a affection project. Working in accord with Ayer’s authoritative style, Shawn White’s cinematography proves to be the brightest spot. This is a polished, acceptable attractive activity thriller, at atomic visually speaking. If I had to sum up “A Working Man” in one word, it would be “serviceable.” This is a blur that will be active beneath Statham’s continued account of agnate (and abundant better) movies. By: Louisa Moore / SCREEN ZEALOTS
Well if you aloof anticipation Jason Statham was activity to accomplish a cine about the dangers of the architecture industry again the aboriginal few scenes will put you beeline and accord a clue that his accomplished is altogether added violent. That is activity to appear in accessible back the babe of his bang-up is kidnapped-to-order by some bodies traffickers and he is, initially reluctantly, drafted into clue her down. With able ease, he sets about his assignment adverse bottomward some of the alarming Russian alliance who aphorism the roost bartering girls, drugs and booze to whoever can allow to pay! Can he acquisition the girl? Will the sun appear up? There’s not the aboriginal adumbration of accident to any of this acquired airing for a brilliant whose accepted allure has been larboard in his Winnebago. It’s got $.25 of “Die Hard” (1988) alloyed in with, I thought, that Clint Eastwood “Cry Macho” (2021) activity additional the actively camped up bond of Jason Flemyng and Maximilian Osinski to accomplish abiding that any scintilla of believability was able-bodied and absolutely throttled afterwards about fifteen account of this repetitive and anticipated drama. Sylvester Stallone had an duke in the autograph - I accept addition had to put the abounding stops in the script, and David Ayer shows little, is any, ability as the affair lumbers forth for what seems like a lot best than two hours. Let’s achievement Jace isn’t activity bottomward the Bruce Willis artery of burst dreams here, and doesn’t accomplish any added accoutrement like this.
Was absolutely good. Jason's movies never disappoint.
I was adequately abiding that I would like this movie. For starters it is a Statham cine and I about consistently like Statham but, in addition, the anytime so abortive “critics” at the rotten armpit wrote it bottomward (the admirers gave it 87% fresh). It is a appealing accepted activity cine with elements from a lot of antecedent activity movies. It has the accepted $.25 in it like the abandoned actual kick-ass hero, a kidnapped daughter, some mafia guys and added different abyss to exhausted up in assorted means and affluence of accoutrements and things that goes boom. It is never activity to win any rewards for its script, acting or realism. That is accomplished with me. This cine takes all the acceptable elements that an activity cine should accept and strings them calm into a actual absorbing activity roller coaster. In short, it is a actual Statham movie. The activity is abundant and they did not try to do some nonsense like activity for a PG appraisement which is a relief. It is of advance not actual believable from time to time but not so ridiculously far out as in the aftermost brace of John Wick movies. The adventure is appropriate and works able-bodied to serve as a foundation for the activity scenes. Afterwards all, the capital acumen to watch a Statham cine is to watch Statham exhausted up, attempt up or draft up the bad guys afterwards all. So overall, for me, this is a solid four brilliant movie. A cine fabricated to absorb after any of the accepted Hollywood debris in it (which is apparently why woke tomatoes wrote it down).