Get online access to top quality blur: To the End movies on Soaper TV. Iconic British bandage becloud (“Song 2”, “Girls & Boys”) comes calm to almanac their aboriginal anthology in eight years – the chart-topping The Ballad of Darren – and adapt for the better concerts of their career, two sold-out shows at Wembley Stadium. With footage of the bandage in the flat and on the road, additional performances of their much-loved, seminal songs.
| Toby L | Director |
| Josh Connolly | Producer |
| Sebastian Cort | Director of Photography |
| Danny Abel | Editor |
| Tim Dellow | Executive Producer |
| Richard Eastick | Sound Mixer |
| Toby L | Executive Producer |
NortonI was consistently added of a "Blur" fan than an "Oasis" one, but to be honest I'd abandoned absolutely why they had breach up. This fly-on-the-wall documentary tries to ample in some of the gaps as it reunites the four associates of the bandage who are activity to almanac their aboriginal new anthology in decades and do a little mini-tour of some "intimate" venues afore a brace of gigs in advanced of eighty-odd thousand bodies at London's Wembley stadium. The blur is centred about Damon Albarn's home in the South West of England and as Graham Coxon (anyone abroad anticipate he's axis into Dudley Moore?), acclaimed cheesemaker Alex James and Dave Rowntree about-face up it seems that there's a lot of affectionate and apathy activity on. There's a communicative candour from all four about their annihilation as a band. They couldn't angle the afterimage of one addition - hardly hasty afterwards active in anniversary other's pockets for years, but it's bright that there is still article compelling, addictive even, about their relationships that will either float or bore this ambitions activity that is proving nerve-wracking alike now, afterwards years of performing. I could accept been accomplishing with added of their music, if alone to admonish me there was added to them than "Boys and Girls" and "Parklife", and I could accept done with beneath of their political affectation as they alive in safe bourgeois aldermanic seats whilst espousing aborigine socialism - but back it comes bottomward to it, they are aloof four aforetime absolutely handsome guys (yes, I apperceive that's reductive!) who knew how to put lyrics and music into a architecture that mischievously and vibrantly entertained on a date and on a television at a time back music in Britain was assuredly adversity from a artistic angst that was arrant out for article different, active and powerful. I admired the appearance of this documentary and I admired the actual actuality that it's an adventure in the lives of these four, now absolutely different, men. What happens abutting is anyone's guess.
