Get online access to top quality Dangerous Animals movies on Soaper TV. A adeptness and able surfer is abducted by a shark-obsessed consecutive killer. Held bound on his boat, she charge amount out how to escape afore he carries out a august agriculture to the sharks below.
Andrew Mason | Producer |
Troy Lum | Producer |
Pete Shilaimon | Producer |
Sean Byrne | Director |
Mickey Liddell | Producer |
Chris Ferguson | Producer |
Brian Kavanaugh-Jones | Producer |
Fred Berger | Executive Producer |
Nick Lepard | Writer |
Mehrdod Heydari | Executive Producer |
Shelley Farthing-Dawe | Director of Photography |
Marion Boyce | Costume Design |
Marlaina Mah | Executive Producer |
Kasra Rassoulzadegan | Editor |
Nikki Barrett | Casting |
Pete Baxter | Production Design |
Anastasia Adams | Set Decoration |
Matt Enfield | First Assistant Director |
I accept if you are alleged “Zephyr” afresh you’re acceptable to be a bit of a chargeless spirit, so back we accommodated this one (Hassie Harrison) we care not to be afraid that she does appealing abundant what she brand back she likes. That includes accepting a one night angle with the rather blah but fit-looking realtor “Moses” (Josh Heuston) afore she absconds afore pancakes to ride the waves. Affair is, she’s got no fin key so has to borrow one from the affable “Tucker” (Jai Courtney) whom we already apperceive is a bit of a amiss ‘un. Abutting thing, she awakens angry to a bed on a baiter abutting to “Heather” (Ella Newton) with both accessible to brilliant in the ultimate in abhorrence flicks abiding alone by Vegemite sandwiches (on banausic white bread, too!). With him captivation all the cards, things don’t attending too acceptable for these two women but luckily “Zephyr” is a bold and able adolescent woman and concurrently the hapless and acquisitive “Moses” is anxious that she has gone missing-in-action and is aggravating to acquisition out area she’s gone. Can fate be thwarted? Can he clue bottomward his associate in time? Hmmm. Well, acutely there aloof isn’t annihilation about this that leaves any agnosticism about the conclusion, and the episodic, start/stop/start afresh attributes of the storytelling aloof strings us forth with a alternation of doubtful scenarios that pad it out with all the authoritativeness of the undoubted denouement. Aided by some absorbing underwater photography, this could accept been absolutely a fun bisected hour if Sean Byrne had had the adventuresomeness of his aboriginal aesthetics and aloof let the antecedent catalyst do the work, but already the affair starts to echo itself it aloof becomes a bit absurd as afterlife takes aloof too abundant and common a role. Pity, it had potential.