F1 2025

Entertaining sports ball featuring abundant antagonism sequences from administrator Joseph Kosinski, blood-tingling account by Hans Zimmer and accomplished performances by Brad Pitt and Javier Bardem. Not a fan of antagonism in accepted but this one was appealing solid. **4.0/5**

A accurate blockbuster! Although predictable, and a little long, the cine works from alpha to accomplishment as Brad Pitt brings above brilliant power.

"F1 is a abstruse and acoustic triumph, a accurate rollercoaster that throws admirers appropriate into the affection of the activity with attenuate intensity. Despite some anecdotal stumbles and a accustomed structure, Joseph Kosinski's creatively adventurous and technically admirable vision, Hans Zimmer's absorbing score, and a absolutely committed casting about-face this blockbuster into one of the best exhilarating, high-energy adventures of the year. Whether you're a diehard fan or aloof a analytical spectator, this cine contest beeline into the affection of comedy cinema - with style, tension, and, of course, a accomplished lot of speed." Rating: A-

There is no charge to say a lot about the movie, it was actual actual actual nice. If you don't affliction about F1 but aloof accidentally like any antagonism aloof accord it a go. It is absolutely adamantine for me to watch a best video after accomplishing article abroad too but I watched the absolute breadth of this cine after cerebration annihilation about accomplishing article abroad or eat or affecting my phone. Some added thoughts if you already watched the cine and aloof appetite to apprehend things others say but you absolutely should not affliction about: could it accept been better? yes, i absent added advice about assertive contest or characters. not abundant more, but aloof a little bit more. the ending? perfect. I accepted article abroad again it still delivered. I don't absolutely apperceive how to say this but you can feel appreciative watching this, the absolute way through the movie. There is annihilation to absolutely blench about and I absolutely acknowledge this. This abandoned makes this cine in the top for me. A lot of new and almost new movies (especially drama, fantasy, cool hero things) are cringefest and in genitalia afflictive to watch. This is not. I am happy.

With Sir Lewis Hamilton and F1 media adept Ian Holmes amidst those at the captain of this production, you can be assertive that it’s activity to be as an accurate adventure of all things F1 (can’t be agitated award the brand symbol) as you’re anytime acceptable to see. It’s all about aggregation “Ruben” (Javier Bardem) whose cars couldn’t exhausted an egg and so is attractive at catastrophe up broke! His actual disciplinarian is British amateur “Joshua” (Damson Idris) but he’s boilerplate abreast accomplished abundant to accomplish any appulse on the problem. For that, he needs to allure aback “Sonny” (Brad Pitt) who did drive these cars twenty years ago but afraid up his helmet afterwards an blow and again became an afoot disciplinarian eking a active beyond the USA. Can he be tempted? Able-bodied we’d accept no blur if he wasn’t so the abutting catechism is: can he administer to deliver this operation afore it’s awash for scrap? True to anatomy with this sport, what now ensues sees all the amaze and allure of circuits about the world; money no article cars, training and equipment; testosterone abounding both in the car and with aggregation tech administrator “Kate” (Kerry Condon) as able-bodied as a accomplished bulk of aphorism manipulating, crashes, absolute cheating and I accept to say, some of the best activity and in-car photography I’ve apparent on a big screen. Indeed, I could affably accept lived after the affecting characterisation actuality altogether, and aloof ashore to the tensely directed and absolutely acute activity sequences that, abnormally application the in-car cameras, is absolutely absolutely agitative to watch. You absolutely do get a faculty of the acceleration of the cars antagonism annular the advance and of the astounding engineering that goes into the architecture and accomplish of these cars that at times attending no added abundant than an Airfix kit. Pitt is in his aspect actuality carrying a appearance that’s a adorable rogue meets complacent git whilst Idris comes beyond absolutely artlessly as the youngster out of his abyss but accommodating and bent to learn. The soundtrack from the brand of Queen and Led Zeppelin livens up what I’d accept to say isn’t Hans Zimmer’s best memorable score, and with the aftermost bisected hour abundantly bare of the adventurous and affecting clutter, we watch article that shows us this bazaar in abounding pomp. You don’t charge to be accidentally absorbed in this affair to adore this film, you alone absolutely charge a beating and a abundant big screen.

I am so animated I'm F1 illiterate. Even admitting I apperceive basically annihilation about this sport, I can still feel how unrealistic aggregate is. The aperture arena had me going, "Yeah right. Calm bottomward already." But really, it doesn't matter. This has the hallmarks of ambassador Jerry Bruckheimer, it's impaired and it's fun. It has to be somewhat impaired to be this abundant fun. Everytime there was a advertence fabricated to the '90s, I couldn't advice but anticipate that that, too, was Jerry's hayday. Con Air anyone? The Rock? It's aggregate that we absence from the ideology-laden racist and sexist abstruse sub-AI-level dash that Hollywood churns out these days, and it's kinda acrid that we're accepting it from woke Apple. But I'm not complaining. Watching this I had flashbacks to Top Gun Maverick, which was additionally such a animation of apprehensible popcorn-throwing beginning air, and lo and catch this is from the aforementioned director. Absolutely account a watch, possibly infuriating if you're not motorsport illiterate.

Film is great. Top cleft acting from all actors. Captures the aspect of aloof how abundant adherence is charge for the action and how thrilling, agitative and additionally alarming the action is. Would recommend, 5 Stars!

I could exhausted about the backcountry about this one, but I won’t: If you’re attractive for innocuous, asinine ball defective in actuality and riddled with clichés and implausibilities, all accurate by absolutely arresting action-adventure cinematography, afresh this is the cine for you. Writer-director Joseph Kosinski has yet afresh created a account that’s the absolute best for those times aback you aloof appetite to bang back, about-face your academician off and let your alertness be accomplished on a mind-numbing beheld appeaser for a few hours (although, in this case, those “few hours” may go on a little continued alike for those best acclimatized to arresting this affectionate of accurate fare). Essentially “F1” is a bank dive into the apple of Formula One auto antagonism with cookie-cutter characters arena out anecdotal expectations that we accept apparent endless times before, abnormally in the apple of sports movies: an crumbling adept who never accomplished the success he capital seeks accretion backward in his career (Brad Pitt) at the bidding of an old acquaintance who needs a favor (Javier Bardem), all the while mentoring a able but blooming amateur (Damson Idris) (who looks added like a archetypal from the awning of GQ than a apple chic Formula One driver) and allure a afraid and absurd adventurous absorption (Kerry Condon). Along the way there are the requisite setbacks, alienated outbursts, artful betrayals, doubtful miracles and moments of anticipated august victory, all timed to appearance up altogether on cue. Mind you, there’s annihilation inherently amiss with any of this, but none of it is decidedly aboriginal or groundbreaking, alike if set in a ahead beginning milieu. In ablaze of that, then, those attractive for bigger offerings about the apple of motor sports (particularly Formula One) would be bigger served by screening antecedent releases on the subject, such as John Frankenheimer’s Oscar-winning “Grand Prix” (1966) and Ron Howard’s “Rush” (2013), both of which affection belief that are added agreeable and don’t ball like a ground-based adaptation of “Top Gun: Maverick” (2022) (which, incidentally, Kosinski additionally directed – coincidence?). What’s more, like the action of Formula One (and, for that matter, about all of auto antagonism itself), the blur is a rather abandoned exercise in artefact adjustment advertising, which, admittedly, lends a amount of “authenticity” to the blur but that additionally grows somewhat annoying afterwards a while. To its credit, “F1” provides ambitious filmmakers and audiences with a dispensary in adept action-adventure cine cinematography, appropriate effects, sound, achievement assignment and blur alteration (even if the non-action-adventure sequences could use some austere pruning at times, abnormally in ablaze of the production’s aggrandized 2:35:00 runtime), accomplishments that accept helped acquire the account seven Critics Best Award nominations, two Golden Globe Award nods and a Top 10 Cine account from the National Board of Review. To be sure, this absolution may account big credibility for its abstruse achievements, but don’t apprehend abundant added from it than that, abnormally aback it comes to abruptness developments, anecdotal bloom or outstanding acting (particularly by Pitt, who, accurate to form, already afresh proves that he’s far bigger at ball than affecting roles). Indeed, by the time the end of this account assuredly rolls around, admirers may appetite the bouncing of the checky banderole about as abundant as the drivers themselves.