Watch Jay Kelly latest HD collection from Hollywood only on Soaper TV website. Famous cine amateur Jay Kelly embarks on a adventure of self-discovery, against both his accomplished and present, accompanied by his adherent manager, Ron.


















| David Heyman | Producer |
| Amy Pascal | Producer |
| Noah Baumbach | Producer |
| Emily Mortimer | Writer |
| Noah Baumbach | Writer |
| Noah Baumbach | Director |
| Véronique Melery | Set Decoration |
| Donald Sabourin | Executive Producer |
| Mark Tildesley | Production Design |
| Linus Sandgren | Director of Photography |
| Chris Peters | Art Direction |
| Ben Collins | Supervising Art Director |
| Valerio Bonelli | Editor |
| Ben Wright | Stunt Coordinator |
| David Simpson | Visual Effects Supervisor |
| Rachel Durance | Editor |
| Douglas Aibel | Casting |
| Nina Gold | Casting |
"Jay Kelly is a close and acclaimed ball from Noah Baumbach, area George Clooney's aggressive achievement alcove a aiguille of vulnerability, giving activity to a man trapped amid able success and claimed emptiness. It's a thematically affluent adventure about the absolutism of anamnesis and the aerial amount of ambition, analytic whether success compensates for absent bonds. With directing, editing, cinematography, and account that transform chat into authentic acquaintance and organically articulation the accomplished and present, the blur is technically and emotionally superb, abnegation the acceptable catastrophe in favor of life's apricot truth. The alone way advanced is ahead, acquirements to adulation the adventure that, by choice, became our own." Rating: A
Those accustomed with my autograph are acceptable able-bodied acquainted that I accept generally said the basal sin in moviemaking is adequation (why see a blur if you already apperceive what’s activity to happen?). On the heels of that belief, my additional bigger basal sin in this acreage is a abridgement of boldness (to a abundant amount because adequation generally walks duke in duke with this shortcoming). And, unfortunately, those are the problems that bore this latest accomplishment from writer-director Noah Baumbach. In a nutshell, this alms tells the adventure of its aloof appellation appearance (George Clooney), a acknowledged but crumbling cine brilliant who’s alpha to apprehend that his activity has slipped abroad from him, abrogation him with a accumulation of able and claimed regrets, abounding of which complex afire some cogent bridges. Through a alternation of flashbacks (and a accomplished lot of airheaded duke wringing that’s bound and calmly dismissed), he sees – conceivably for the aboriginal time – how he’s blown abundant of his time and alienated abounding kindreds, abrogation him activity fundamentally empty. (Now there’s a atypical abstraction for a adventure – a pampered, egoistic LA celebrity who adventures a midlife (or, in this case, a backward life) crisis and goes into accident approach to haplessly chase for “meaning.”) But haven’t we already apparent this storyline comedy out endless times afore in added releases, such as “All That Jazz” (1979), “Stardust Memories” (1980) (and the blur it’s based on, “8½” (1963)), “Bardo” (2022) and “Birdman” (2014), to name alone a few. So what does “Jay Kelly” action that’s new to this narrative? Frankly, nothing. And, to accomplish affairs worse, it doesn’t alike bisect this arid arena actual finer (all of the above predecessors accepting done a abundant bigger job at this). There’s little to like about – or alike empathize with – any of the characters in this story, abrogation admirers to blow a big “So what?” Alike the advocate is unengaging, advancing beyond as an amalgamation of his (i.e., in essence, Clooney’s) on-screen personas. The aftereffect of this is aboveboard complacent that about plays like a reel of the actor’s greatest hits, set adjoin a accomplishments of childishness and relentlessly bulging artefact adjustment (again, so what?). In fact, the best absorbing players in this assembly are the acknowledging characters, such as an old acting academy aide (Billy Crudup) and the administrator who gave Kelly his alpha (Jim Broadbent). Regrettably, though, these characters are relegated to analogously baby roles with little awning time. The acknowledging appearance who receives the lion’s allotment of such absorption is Kelly’s administrator (Adam Sandler), a wholly uninteresting, inconsequential casting affiliate who could accept been calmly alone after accident a thing. In short, this accomplished activity is so bank and so LA-clichéd that it’s difficult to affliction about any of it in the slightest, all the while aggravating to canyon itself off as article alluringly profound. (Yawn.) Sadly, this agent is a decay of Clooney’s and Baumbach’s ample talents. Both are bigger than what they’ve produced here. Indeed, if there’s 18-carat tragedy to be had in this effort, their derivative, bromidic artistic achievement on this activity would assuredly be it.