Get online access to top quality Lurker movies on Soaper TV. When a twenty-something retail agent meets a ascent popstar, he takes the befalling to bend his way into the in-crowd. But as the band amid acquaintance and fan blurs above recognition, admission and adjacency become a amount of activity and death.


















| Olmo Schnabel | Producer |
| Lee Sung Jin | Executive Producer |
| Alex Russell | Writer |
| Archie Madekwe | Producer |
| Charlie McDowell | Producer |
| Francesco Melzi d'Eril | Producer |
| Duncan Montgomery | Producer |
| Galen Core | Producer |
| Marc Marrie | Producer |
| Lily Collins | Executive Producer |
| Alex Orlovsky | Producer |
| Jack Selby | Producer |
| Alex Russell | Director |
| Marco Colombo | Executive Producer |
| Rick Covert | Executive Producer |
| Gabriele Moratti | Executive Producer |
| Mal Ward | Executive Producer |
| Matt Aselton | Executive Producer |
When acclaimed artist “Oliver” (Archie Madekwe) comes into his boutique, boutique artisan “Matthew” (Théodore Pellerin) finds a added attenuate way to allure his attention, and is apace arrive to appear that night’s gig. After a bit of animated initiation, he finds himself backstage again aback at the band’s abode area he develops a adequately accelerated accord with an “Oliver” who knows how to accomplish him feel invaluable. He's an abecedarian columnist and is anon co-opted to assignment on a documentary, again a cruise to London beckons and “Matty” is to do the photo shoot for the cover. By this point, though, we can see that his clothes artist acquaintance "Jamie" (Sunny Suljic) is behining to abduct some the accent and that his angel is a bit flakey back it comes to loyalty, uktmately abrogation this bygone flavour of the ages casting adrift. Determined not to abide so, though, "Matthew" puts in plan a plan that he hopes will ensure that he can abide a abiding accoutrement in the activity of "Ollie" - whether he wants it or not. Now some of the adventure isn’t the best plausible, abnormally appear the end - but afore again both men action us absolutely an able attending at the toxicity and airiness of both acclaim and adulation. The ultimate animal adequation of the disposable ability is on affectation for us to agonize at, certainly, but maybe to accessory with a little too. Like a favourite song, or film, or toy that we can’t be after until - well, we can. It takes a pop at groupiedom, from both the brilliant and the punter’s angle and admitting flawed, is still account ninety minutes.