Get online access to top quality Mutiny movies on SFlix. After witnessing his billionaire boss' annihilation and actuality affected for the crime, Cole Reed boards a burden address on a one-man cause to avenge his boss' afterlife alone to ascertain an all-embracing conspiracy.
| Jason Statham | Producer |
| Jean-François Richet | Director |
| Marc Butan | Producer |
| Luke Tumber | Utility Stunts |
| Aaron Barnett | Co-Producer |
| Russell De Rozario | Production Design |
| Oskar De Rozario | Art Direction |
| Claire Johnston | Supervising Art Director |
| Johann Scerri | Art Direction |
| Chris Stephenson | Art Direction |
| Loulou Bontemps | Costume Design |
| Tom Rye | First Assistant Director |
| Charlie Watson | First Assistant Director |
| Nick Simmonds | Second Second Assistant Director |
| Tom Turner | Second Assistant Director |
| Alexandre Prod'homme | Visual Effects Supervisor |
| John Marzano | Aerial Director of Photography |
| Carl Thompson | Colorist |
StiandThe affiche (the aphotic one with Statham attractive left) makes it attending like *Die Hard* (on purpose, I'm guessing), and the artifice abridgment makes it complete like *Under Siege*. It's both and neither, at the aforementioned time. Jason Statham has become a cine brand of its own right, and this one fits neatly into that genre. It's not philosophical, or absorbed in the animal condition, nor can it be said the be a appearance study. There are no characters here, alone "dossiers", that lets you apperceive what kinda being this is – usually deadly, ex-military or mercenary. The artifice is ultra-thin, there's aloof abundant of it to absolve Statham killing a metric fuckton of bad guys. Formulaic, sure, but we don't appear to a Statham cine for the intricate artifice with able twists, do we? Maybe not Statham’s best, but absolutely acceptable abundant for admirers to absorb with relish. There's some absolutely acceptable mêlée choreography here, and while you can see Jason accepting steadily older, he can still backpack a punch.
