Obsession 2026

Curry Barker has crafted article mostly appropriate for an about non-existent budget. The adventure is compelling, the acting is solid, and Obsession feels like a animation of beginning air in allegory to agnate abhorrence films. However, it’s black that one acute appearance affection about charcoal the absolute film. It’s because of this that Obsession will accept to achieve for actuality a well-made, well-written blur bedeviled by one aggressively acid character, which will arrest approaching rewatches abundant like Frank Darabont’s The Mist.

"Bear" (Michael Johnston) has a drove on his pal "Nikki" (Inde Navarrette) but it's a adulation that cartel not allege it's name. He hasn't the adventuresomeness to alike ask her out! Back she decides that she has had abundant of their two-horse boondocks and wants to move away, he decides to buy her a allowance and alights on a "make a wish" toy. Make your ambition and it will appear accurate as absolutely as if it were rubbed out on that lamp of "Aladdin". Well he gives her a lift home, but their departing is a bit fluctuant and so in a fit of annoyance he snaps the allowance and makes his ambition afterwards she has gone. What he doesn't apprehend is that it will appear true, but that's aloof the alpha as the after-effects of his agilely advised adoration activate to booty over aloof about everyone's lives - and not necessarily for the better, or the safer, either. Things don't advance abundant for him back he discovers that his options to about-face his heart's admiration are bound in the extreme. It's a bung up amid the brace at the top of the announcement here, but I account Navarrette ability aloof accept belted it on the acting advanced as both bear absolutely belly performances with this abhorrence as it takes on an accomplished new angle of berserk tempramental behaviour and turns any faculty of affair into article absolutely hysterical, alarming and at times absolutely menacingly bleeding and funny too. I absolutely did adore the accident and I account this is the best I've apparent from this brand in 2026 so far. Never apperception absent-minded talk, aloof beware what you ambition for?

Full Review: aisleseatreviews.com "Waking up in the average of the night with the awesome faculty that you’re actuality watched, alone to attending bottomward and see your kid continuing aphotic abutting to your bed staring at you. That is the exact akin of belly alarming this cine locks you into." Obsession is one of those rare, acutely abashing abhorrence films that doesn't aloof appetite to jump-scare you—it actively wants to get beneath your bark and asphyxiate you. You get about 15 account of about assurance at the start, but the exact additional that One Wish Willow snaps, the air is absolutely sucked out of the room. You could actually apprehend a aggregate beachcomber of astriction ripple through the theater. Inde Navarrette is phenomenal. Her adeptness to instantly axis from an obsessed, certifiable adherent aback to a normal, absolutely abashed Nikki who realizes she's trapped, and again breeze appropriate aback into the carelessness is chilling. The bedchamber arena area she watches Bear beddy-bye is activity to stick with me for a continued time. Massive backdrop to administrator Curry Barker for authoritative a complete bound from YouTube abhorrence to the big screen. He relies on old-school atmosphere rather than bargain audio cues, masterfully weaponizing camera placement, shadows, and abiding silence. There is a attempt of her aloof continuing there animated that goes on for so continued it fabricated the complete army audibly uneasy. With all the account in the world, this is a "one-timer" for me because I am in no blitz to put myself aback through this affecting meat grinder. But it is an complete must-experience with a amphitheater crowd. Verdict: Front Row (An Complete Must-See)

Obsession is an abnormal phychological abhorrence blur directed by Curry Barker, a youtuber angry filmmaker and what a crazy blur he had fabricated on a account 1 actor dollars. The abstraction itself is so absorbing but alarming at the aforementioned time that will accomplish you anticipate that why and how would Curry had appear with such an idea. The blur is so layered and abysmal in it's anecdotal that afterwards watching the blur every time you anticipate about it, you will appear beyond a new angle and adumbration of every character. Technically the blur is solid, may it be the complete architecture or the apparel or the prosthetics assignment or the set architecture which admitting the basal account didn't attending cheap. Performances of both the advance actors Michael Johnston & Inde Navarrette were exceptional, they nailed their roles. Michael does a abundant job as an observer, a guy who is abashed with what is activity on about him, a guy aggravating to amount out but a attenuate adumbration of arrogance in his appearance all along. And on the added side, there is Inde Navarrette, I don't anticipate I accept apparent a bigger achievement than her in any added blur this year, the atomic the deserves is an Oscar nomination, she was freakin crazy as hell, you will be actually complete abroad with her expressions, her anatomy language, her chat delivery, her awful smile she does, she was aloof an complete complete bang throughout the film. You will authority your arch in atheism watching some of her accomplishments in the film, she will absolutely accomplish you go all-overs bottomward your spine. Overall, It is a crazy crazy ride which will accumulate you absorbed with his 1.50:1 aspect arrangement which accomplish you feel article unconventional, afflictive and affectionate of claustrophobic and acclaim to Curry Barker for his ablaze cine and execution. You charge to watch it in cinemas abreast you at any cost. Aloof go for it, awful awful recommended.

Curry Barker’s affection admission is a flawless, acutely abashing masterpiece that takes the archetypal "be accurate what you ambition for" adumbration and turns it into a adamant nightmare. The blur centers on a music abundance agent who uses a abnormal bagatelle to force his longtime drove to adulation him, unleashing a beachcomber of horrifying, unhinged consequences. Visually arresting and anxiously paced, the cine keeps you absolutely bound in from the aperture anatomy to its adverse conclusion. What elevates this cerebral abhorrence blur to complete accomplishment are the astounding acting performances from Michael Johnston and Inde Navarrette. Johnston is ablaze as Bear, capturing a desperate, adverse vulnerability that makes his bottomward circling abundantly aching to watch. Navarrette delivers a bout de force achievement as Nikki, flawlessly alive amid affecting affliction and a chilling, abandoned fixation that anchors the complete film. It is an intense, acclaimed ride that stands out as one of the complete best entries in avant-garde horror.

Creepy and lovely. There's a cine alleged Smile which shares some of its basic elements to this cine in that the creepiness of it builds over time and again becomes unimaginably agitated appear the end. This cine does that absolutely able-bodied and it is actual able at architecture its tension. So back the mind-numbing abandon does happen, it Hogan appulse and a significance. Smile array of advanced endless all of that violence, which agency that the astriction doesn't accept time to body and you accept to await on added things to accomplish it scary. This cine is artlessly bigger at it. The capital artifice is aloof addition acquirements befalling back it comes to authoritative wishes. Aloof don't. Having apparent several movies on this theme, we care to apperceive this by now. The casting in this is great, the administration is amazing, and the alarming elements are earned. It is a absolutely acceptable and alarming movie.

A well-acted booty on an age-old monkey paw trope. For a low-budget debut, Curry Baker has fabricated absolutely a splash. However, any 'horror' actuality was through bargain audio cues, and the anecdotal will crave you to do avant-garde gymnastics with your accommodating abeyance of disbelief. A poor narrative, with banal cinematography and inclement audio, the arch acting by the casting is the alone affair befitting this cine alive.

A air-conditioned admonition that the beeline avenue isn’t consistently the fastest; in Obsession, it becomes a baleful cerebral allurement area the adventure ends and the adventurer vanishes.🫠🤫

I apperceive I'm declared to say I adulation this cine and it's the best affair I've apparent this year (cause, for some reason, it seems to be the accepted cine fad amid White audiences) but I'm gonna be real: Obsession is a blend of a rag baby broadcast up with abracadabra clichés and age-old arcane and cine tropes. Like, for instance, the use of wishes to braid a "be accurate what you ambition for" cautionary account is a centuries old arcane trope. So is the "crazy woman" trope. Yet, alike if one chooses to abstain this, the cine is apparitional by abundant added problems that are absurd to igore: pacing issues, poor chat writing, poor audio quality, and inclement editing, to name a few. The alone extenuative graces for the cine assume to be a brace of adapted jump-scares and the almost crisp "boys night out" scene. Those aside, I've apparent some people, bafflingly so, acclaim this cine as a "feminist" movie. Like, what?! In what apple absolutely is a cine fabricated by a White man (Curry Barker), led by a White man (Michael Johnston), and whose capital assignment seems to be admonishing White men to abstain accepting into relationships with "crazy" women, feminist?? Also, the actuality that Inde Navarrette is a fan of a court-adjudged wifebeater and defacer in absolute activity (Johnny Depp) should be a massive red banderole as to the kinds of bodies and assignment she'd be complex with. Speaking of Navarrette, I've apparent lots of bodies acclaim her acting - alike announcement her for an Oscar [*eyeroll*] - but if you pay abutting absorption to her scenes, appropriate furnishings and alteration do a tonne of assignment to advice her accomplish the kinds of affections that may accept confused audiences. In all, I wouldn't acclaim this one to best bodies except ardent abhorrence admirers whose absorption in it would extend aloft authentic entertainment. The 4-star I gave it were mostly due to the brace of positives I've mentioned aloft as able-bodied Michael Johnston's (sometimes) outstanding performance.

Check out my abounding analysis @ Rating: B There's a adaptation of OBSESSION that lives up to its own hype, and the adaptation that I watched. What bridges the gap is Inde Navarrette's advance performance, which is so dedicated, so physically all-in, that I absolutely accept it's the best abhorrence blemish of the decade! Curry Barker's administration is accommodating and confident, benign alarming over noise. The story, though, plays it safer than it should, gesturing at absolute account after absolutely committing to them. A awful entertaining, acceptable abhorrence flick that I ambition (*wink wink*) was as abundant as I hoped it would be.

Writer/director Curry Barker’s bound from YouTube viral acclaim to the big awning is one of the best success belief in Hollywood, and Kane Parsons’ **BACKROOMS** for A24 afterwards this ages appears to be added affidavit that the alley from YouTube to Hollywood — while still beneath catholic — can accomplish all the difference. The viral success of Barker's [**MILK & SERIAL** (2024)]() showcased astronomic abeyant and a accustomed aptitude for low-budget abhorrence filmmaking, authoritative his alteration to the big awning feel like a well-earned graduation. In **OBSESSION**, Barker has crafted a slow-burn cerebral abhorrence blur that steadily builds careens appear its abominable conclusion. While the advised pacing occasionally activated my patience, already Barker’s adventure absolutely unfolds, it seeps into the viewer’s anima in means few contempo abhorrence films accept managed — afflictive acutely afflictive questions about accord and chargeless agency, while possibly authoritative you anticipate alert afore alarming out candles on your abutting birthday. **OBSESSION** presents a acutely banal bureaucracy centered on the lovelorn Bear (Michael Johnston), who actually wishes to escape the acquaintance area with his longtime pal Nikki (Inde Navarrette). Afterwards barrier aloft a “One Ambition Willow” collector’s account in a new-age anomaly boutique — one that wouldn’t feel out of abode beside the Zoltar apparatus in the Tom Hanks accident hit BIG (1988) — Bear makes a ambition afterwards compassionate the alarming ability he has unleashed. Encouraged by his best acquaintance Ian (frequent Barker assistant Cooper Tomlinson), Bear initially appears to get aggregate he wants back Nikki aback develops a adventurous absorption in him. But anon the auto alpha to appear off as Bear's happily-ever-after spirals into a daydream afterwards the affinity of Nikki becomes more unhinged. Navarrette delivers a alarming achievement that has echoes of **FATAL ATTRACTION** and **SINGLE, WHITE, FEMALE** -- with added layers of cerebral ache for her accident of actual autonomy With abominable moments of terror, expertly abiding tension, advancing imagery, and a assured achievement from Navarrette, **OBSESSION** stands as one of the year’s best abhorrence films.

There’s a accomplished band amid 18-carat amore and possession, and abhorrence movies usually advance back bridge it. I went into *Obsession* assured a cerebral abysmal dive into affecting dependency, but what we absolutely get is an acquaintance that berserk swings amid accuracy and frustration. Directed by Curry Barker, the blur swings big in its attack to appearance baneful adulthood and the accident of chargeless will. The aboriginal thirty account are absolutely suffocating, accomplishing a abundant job of authoritative you feel trapped. But while Barker takes huge risks for his admission feature, the cine stumbles aggravating to accumulate that drive going. The absolute agitation starts back the adventure needs to amplitude accomplished its antecedent premise. The additional act drags hard, accoutrement the eyewitness in a repetitive bend of annoyance and block that goes nowhere. They could accept calmly chopped at atomic twenty account in the alteration room. On top of that, the indie account absolutely shows; scenes meant to be psychologically backbreaking are broke by amateurish lighting and set designs that breach the immersion. Worse still is the arrant mix of tones. Appropriate back the ache peaks, the calligraphy throws in camp aphotic humor. A abominably timed antic or a cool acknowledgment absolutely kills the affecting weight, authoritative it bright the administrator hasn't absolutely abstruse how to trim the fat from his own ideas. The accomplished artifice with the mystical antiquity hooks you at first, but it loses beef already the anathema absolutely bliss in. Instead of architecture tension, the anecdotal aloof stalls. This makes the interactions suffer, too. Dedicated actors are ashore carrying stiff, aberrant dialogue, affected to spell out animosity that their anatomy accent was already assuming perfectly. It makes some of the added affecting scenes feel like a bad boyhood soap opera draft. Following the protagonist, Bear (Michael Johnston), for about two hours is a boxy bolus to swallow. He’s a affecting guy whose controllable deprivation bound turns into a sick, apparent selfishness. While the cine doesn't shy abroad from advertisement the ugliest abandon of affinity bearded as romance, Bear has aught redeeming qualities, authoritative the watch annoying back there's no one to basis for. If the cine survives its structural flaws, it’s about absolutely acknowledgment to Inde Navarrette. Tasked with arena a appearance who gets psychologically baffled bottomward by both the macho advance and bad writing, she delivers an abundantly mature, belly performance. Her attenuate accouterment in aspect and boring ballast the accomplished movie, authoritative her the alone absolute affecting amount in the story. Using folk abhorrence to allocution about baneful adulthood is the coolest abstraction here, but the beheading absolutely lacks subtlety. The cine talks bottomward to the audience, beating its bulletin home so adamantine that it feels added like a address than an amoebic cerebral study. This additionally exposes a above blemish in how it handles its changeable lead. In aggravating to alarm out abuse, the anecdotal reduces her to a bald apparatus for suffering, bent aloof to advance the bad guy's arc forward. It leaves you apprehensive if it's absolutely critiquing misogyny or aloof base women's agony for shock value. The film's aboriginal backbone is its ashore tension, relying on accustomed paranoia rather than monsters in the dark. But by the third act, the administrator throws all that out the window and goes abounding grotesque. Instead of activity earned, this brusque bloodbath of clear abandon feels like a atrocious accessory to shock an already apathetic audience. The complete architecture additionally fumbles; they went for an awesome abridgement of music, which works at first, but ends up authoritative continued scenes feel empty. Back loud noises do happen, they're ailing alloyed and feel like bargain jump scares. After antagonism through a chaotic, blood-soaked climax, the cine aloof ends. An brusque cut to atramentous rolls the credits after answer the antiquity or the rules of the curse. It doesn't feel like a absorbing accessible ending; it aloof feels like the writers corrective themselves into a bend and didn't apperceive how to blanket things up, abrogation you cat-and-mouse for a adjustment that never comes. In the end, *Obsession* is a tough, asperous watch. Curry Barker has the audacity to blow at the aching wounds of baneful relationships, and Inde Navarrette’s amazing acting keeps things afloat. But the pacing issues, awe-inspiring tonal shifts, and the rushed, bleeding acme absolutely analysis your patience. Still, it armament you to think. Abhorrence is declared to advance us out of our abundance zone, right? If you appetite to feel that backbreaking atmosphere, it's account a watch. Aloof go in with a able stomach, accessible for the blowzy pacing, and see how you handle the brusque blackout back those credits assuredly roll.

**Emotional Hijacking** Bear is a shy, alienated adolescent man alive in a music boutique who is acutely and secretly in adulation with his acquaintance and colleague, Nikki. Desperate over his barren adventurous longing, Bear acquires a abstruse abnormal article alleged "The Weeping Willow," which has the ability to admission wishes. Blind to the consequences, he wishes for Nikki to abatement in adulation with him "more than annihilation abroad in this world." The spell works instantly, but the arcadian dream apace morphs into a nightmare: Nikki’s built-in adulation mutates into an irrational, suffocating, and acutely advancing behavior. Her aberrant adherence erases the boundaries of her sanity, unleashing a bottomward circling of abandon and affected affinity that threatens to abort both their lives and anybody about them. In assertive aspects, "Obsession" stands out as the abundant adumbration of abreast abhorrence cinema. Operating on a cartel account of aloof $750,000, administrator Curry Barker achieves what abounding Hollywood blockbusters can alone dream of: architecture an atmosphere of astriction relying carefully on the ability of ideas, a beginning access to staging, and raw storytelling. Barker curtains into 1980s accurate references, demography the archetypal apriorism of bewitched abetment (W.W. Jacobs' "The Monkey's Paw") and clearing it into acutely afflictive cerebral territory. The abhorrence becomes visceral, psychological, and existential, against us with the alarming facets of the animal ego. It seeks to prove that banishment addition to adulation you does not axis from devotion, but rather from a appetite for ascendancy and a dissection abhorrence of bareness or rejection. Finally, a apprehensive allotment of admonition for a accomplished Curry Barker, who will never apprehend this analysis but is still in the beginning stages of his career: the overreliance on jump-scare audio stingers is appropriate of an ancient disease—one that blends anecdotal laziness, behavioral psychology, and the accustomed bartering pressures of Hollywood. Do not abatement into the allurement of artful the cheapest tropes of late-career Shyamalan. Instead, absolutely accomplishment that artful and accurate adroitness currently blooming aural you. Flee already and for all from cheap, contemporary chords, and lose your abhorrence of silence. Remember that accurate abhorrence dwells in the calmness of masterpieces like "Nosferatu", "Les Diaboliques" or "Rosemary's Baby", by Murnau, Clouzot and Polanski, respectively.

### My little aliment analyzer 🗒️ Just because Current Joys assuredly got amends for their underrated music doesn’t beggarly anyone abroad in this flick did. Long adventure short: Bear is the accurate villain of this story. I accepted Curry Baker’s rom-com subversion. There were moments back Bear seemed like a guy aggravating to cross affair in the age of disengagement and misunderstandings. However, at every aberration and turn, he bootless to absolute his mistake. Ultimately boring the casting of characters to a Shakespearean adverse ending. Despite Baker not giving us acumen into Nikki’s headspace, I accept she’s in a “Get Out”-adjacent alveolate place. As a aftereffect of Bear’s accidental wish, Nikki has become a acquiescent eyewitness of her accord with Bear. Frozen at her doorstep, an [obsessive]() (take a shot) spirit takes ascendancy of her body. Rather than abutting the dots, Bear is acquiescently apprenticed of the furnishings of his one wish. I haven’t watched the few annotation videos answer why he’s the villain in an accomplishment to abstain baseless spoilers afore watching this in theaters. Now that I’ve had my acquaintance with “Obsession,” I accept why the “he’s the villain” byword has appear up abundant times. Bear accepted Nikki to be his acquisitive accompaniment who lived predominantly in the affection of his home. However, his close black is alluded to through the blush allocation and lighting. Taking a Coppola admission to lighting, caliginosity absorb the apartment Bear and Nikki occupy. Naturally, the low lighting heightens our paranoia back Nikki hides in corners, bawl for Bear. As the anathema worsens, Bear refuses to accede the severity of his situation. The boundaries he establishes with Nikki are slaps on the wrist, at best. His apparition atramentous his acumen so acutely that he doesn’t admit that he can’t acumen with addition in this accompaniment of mind. This contradicts his antecedent apropos from the exposition. His apropos about abstinent Nikki admission to accord and actuality aflutter that she was inebriated all addle abroad the moment he accepted his animosity for her. He is so absent-minded with the *actual* Nikki, so abundant so that he waits until the end of Act Two to get analytical about how to about-face or belie the One Ambition Willow. Secondly, Bear tells Nikki over banquet that he wants to become a aliment analyzer one day. Granted, these characters are adolescent bodies who accept a appropriate to advance and about-face their interests, but why do we accept ZERO clues about this hidden dream of Bear’s? The capital set is his home. Apperception you, there are no cookbooks, aroma racks, or alike busy affable dishes. I adapt this as an advised assembly architecture best to acknowledge Bear’s artful passion. Bear claims he’s in adulation with Nikki, but he never capital her freedom or absolute demeanor. He capital to be the centermost of her apple after her ascribe or personality. He wants to be a aliment critic, yet he couldn’t aroma that Sandy-wich? Bear’s afflictive charge to annihilation smothered the blaze of the women in his life. Nikki had affairs of affective out to accompany her autograph career. Sarah waited anxiously for an accepting letter from art school, acquisitive to be a boom artist. All this attenuated into pettiness so Bear could accept Sarah and Nikki's amorous attention. (I’m assertive Bear relished alive Sarah had a drove on him. This additional his ego, abnormally back Nikki’s in adulation with him added than anyone abroad in the f#%king world.) Considering the bulk of affection I accept about these characters and how invested I’ve become in their worlds, it’s safe to say I enjoyed this story. The capacity about accord and chargeless will were great, and the stakes rose at a appropriate rate. The pacing was a little off at times. The cinematography absolutely outshone any added choices in this film. The costuming had a alone another vibe we don’t see abundant of in boilerplate films. Dressing Nikki in red frequently throughout the adventure was a nice aspect as well. Inde Navarrette fabricated this blur above memorable. Her achievement ascendancy is article to be marveled at. She embodied the mannerisms of a cat while accompanying appropriate the clashing boundaries of the absolute Nikki and the bedevilled spirit. Even admitting the aesthetics of “Obsession” were ample on screen, this blur reminded me of too abounding added contempo abhorrence films to be immersive. The actuality that Nikki was basically in the alveolate abode was a solid admiration to “Get Out” (2017), but back Nikki started to say, “no, no, no, no,...” it acquainted too agnate to that kitchen arena for me to feel the activity about-face completely. Most of the locations reminded me of altered movies (the abode = Barbarian (2022), the affair arena = Talk to Me (2022)), and the accent was a little too apple-pie to accomplish its articulation unique. All in all, I accord this blur 3.9 stars out of 5 stars. And HEY! We accept a new scream queen ❤️‍🔥 *Enjoyed this review? Subscribe to my Substack (Snowy Reviews, by Yasmin) and accord me a chase (@yasminthewriter) on Letterboxd, and see what I analysis next!*

Curry Barker’s Obsession Is A Disturbing Supernatural Horror Film That Transforms An Innocent Romantic Desire Into A Grotesque Nightmare. When Hopeless Romantic Bear Uses A Mysterious Wish-Granting Object To Make His Longtime Crush, Nikki, Fall In Love With Him, He Discovers That Forced Affection Comes With Horrifying Consequences. Michael Johnston Delivers A Compelling Performance As Bear, While Inde Navarrette Is Particularly Memorable, Bringing Unsettling Intensity To A Story About Manipulation, Consent, And The Dark Side Of Romantic Idealization. The Film’s Blend Of Psychological Tension, Gruesome Violence, And Dark Humor Makes It Both Uncomfortable And Captivating. Although Its Disturbing Premise And Increasingly Extreme Scenes May Alienate Some Viewers, Barker’s Direction Gives The Story A Distinctive Edge And Delivers A Chilling Reminder That Love Cannot Be Manufactured Without Consequences.