Enjoy all of the latest Penny Lane Is Dead movies from Hollywood now here on SFlix. Set in 1986, during a baking Aussie summer, three best friends' anniversary at a bank abode turns into a blood-soaked action for adaptation back a antic goes angrily wrong.








| Mia'Kate Russell | Writer |
| Mia'Kate Russell | Director |
| Julie Ryan | Producer |
| Ari Harrison | Producer |
| Andre Lima | Producer |
| Anita Seiler | Costume Designer |
| Carly Maple | Producer |
| Jeff Harrison | Executive Producer |
| Miet Engelhard | Executive Producer |
| John Sheedy | Executive Producer |
| Joel Anderson | Executive Producer |
| Jonathan Kier | Executive Producer |
| Leigh Pickford | Casting Director |
| Liam Gilmour | Director of Photography |
| Erica Ockenden | Production Designer |
| Matt Brodlie | Executive Producer |
When you accomplish a cine like this, there are a lot of assumption notions about it, including accepted tropes. This cine upends a lot of those tropes and makes this article actually interesting. By alteration how the final babe works and how the capital antagonists shifts, it becomes article rather different and special. It is staged beautifully and acted with conviction. I like this cine a lot. I actually acclaim it.
Shudder's latest is a air-conditioned Ozploitation flick that has echoes of Peckinpah's **STRAW DOGS** -- with one hell of a abandoned twist. **PENNY LANE IS DEAD**, from architecture artisan angry writer-director Mia Kate Russell, takes us to the airless summer of 1986, area a accumulation of accompany has aggregate at a family-owned bank berth to bless Penny Lane's (Bailey Spalding) accepting into university. But the abrupt accession of Penny's conflicting accessory Kat (Sophia Wright-Mendelsohn) turns the sapphic acquisition into a complete daydream for the girls -- one that will analysis audiences' limits... Things become exponentially added unhinged aback Kat's certifiable admirer Angus (Ben O'Toole) and his droog accompany appearance up with a block abounding of drugs. As the abounding account of abhorrence comes into focus like a Polaroid photo from hell, the night turns into a action for survival, with Penny's adherent Toni (Tahlee Fereday) angry aback adjoin the more aboriginal acts of violence. O'Toole's Angus menaces and unsettles throughout, but it is Wright-Mendelsohn's achievement as the deranged Kat that steals the show, with a coast into abandonment rarely accomplished this able-bodied on screen. The 1986 ambience is decidedly effective, as it refreshingly rules out the use of corpuscle phones, abacus an added band of all-overs to the characters' bound adeptness to alarm for advice in Australia's sprawling Outback and added acceptable the film's faculty of isolation. As the active black goes absolutely off the rails, the abandon eventually becomes about algid to the eyewitness -- authoritative **PENNY LANE IS DEAD** one of the best advancing home-invasion abhorrence films I've apparent in some time.