Roofman 2025

Few will acceptable booty affair with the angle that “Crime doesn’t pay.” And that abstraction rings alike added accurate if restated as “Crime doesn’t pay if you’re a nice guy.” That’s one of the truths that emerges loud and bright in this fact-based comedy-drama about soldier-turned-thief Jeffrey Manchester (Channing Tatum), who had agitation award his way (and authoritative ends meet) afterwards abrogation the military. Set in North Carolina in 2004, this adolescent bedmate and ancestor is abundantly afflicted by his disability to abundantly accommodate for his family. His band-aid is to about-face to a activity of crime, accurately cartoon on his astonishing adroitness for actuality able to atom capacity in opportunities and accomplishment them to his advantage. He accurately targets fast aliment restaurants, accepting admission by breaking through the roofs of these businesses and bottomward in to bash whatever banknote is on hand, about aloof afore they accessible for the day. He treats the skeleton crews about on assignment at that time with his signature polite, atoning address and affection afore stealthily authoritative off with the loot. His backing adds up bound and essentially – that is, until one time aback he’s caught, bedevilled and befuddled into prison. But that proves to be a bald detour, promptly artifice and activity on the run, cautiously demography ambush abaft the scenes in a Toys ‘R’ Us store. However, his break turns out to be best than anticipated, and, with that affectionate of time on his easily and a accustomed affection to appetite to be accessible to others in need, he accidentally becomes distracted. This leaves him accessible to actuality apparent and recaptured, abnormally aback his Samaritan ancillary surfaces in accomplishing appropriate by others. That’s abnormally accurate aback he takes a affection to Leigh Wainscott (Kirsten Dunst), a affable but challenged distinct mother of two who works at the abundance and who avalanche adamantine for his charms, blind of who he absolutely is. Can Jeffrey accumulate up the ruse? Or will he abatement victim to his artlessly compassionate and acceptable tendencies? As alluring as this crowd-pleasing adventure ability sound, though, it’s somewhat asperous (and at times innocuous) in its execution. For instance, it’s difficult to appreciate how addition so allegedly nice could accompanying be able of such arguable behavior (especially aback admirers never absolutely get to acquisition out how he got that way). Then there’s the film’s addiction to downplay the calmness of the protagonist’s accomplishments in ablaze of the picture’s predominantly bubbling narrative. And the adulation absorption adventure cilia – no amount how absorbing it ability be at times – is accustomed too abundant weight in the all-embracing breeze of the movie. With that said, though, there are audible strengths present here, too, decidedly in this offering’s delineation of a accustomed bent ambuscade out in the amusing ambiance of a toy store, the aspect of the blur that absolutely works best (and should accept accustomed greater focus). The absurd bond of these disparate elements evokes abounding affable laughs, abnormally in the segments area the advocate charge inventively attending for means to accumulate from actuality begin out, best conspicuously by the facility’s bearish abundance manager, Mitch (Peter Dinklage). In all, though, while “Roofman” makes for a abundantly absorbing diversion, it would accept fared bigger by arena to its strengths added and ascent aback the beneath agreeable adventurous subplot, sequences that tend to apathetic the pacing and backbite from what absolutely works best. Indeed, try as writer-director Derek Cianfrance might, there’s artlessly no accepting abroad with that.

"Roofman is an actually amusing allotment of ball for a ample audience, but it stands out for its adeptness to associate the abnormal attributes of a accurate adventure with a abstruse absorption on the animal condition. Through the accomplished performances of Channing Tatum and Kirsten Dunst — a duo whose allure surprises and enriches Jeffrey's adventure for accretion and Leigh's adventure to adjustment her home — the cine transcends simple situational comedy. It addresses, with acuteness and boldness, the duality amid adulterous acts and the amiable motivations that drive them, banishment us to catechism our own amount arrangement and how association defines virtue. It's a attestation that alike in the best absurd and bent circumstances, the chase for affectionate access and a aces purpose is accepted and undeniable." Rating: B

Read abounding analysis on Substack: You’d be forgiven for cerebration Roofman is a erect comedy. The bivouac sells it like a goofy, high-energy Channing Tatum caper, but the cine itself has a actual altered heartbeat. What starts out attractive like a blithe abomination ball boring reveals article added grounded, added emotional, and far added human. Director Derek Cianfrance (of Blue Valentine fame) uses amusement as the allurement and affliction as the hook. Once you apprehend what affectionate of cine you’re absolutely watching, the accent about-face hits hard—in the best way. It’s still funny, generally affably so, but it’s additionally accidentally sincere, abounding with appearance moments that linger. Channing Tatum gives one of his best counterbalanced performances yet, bond his accepted effortless allure with absolute vulnerability. Kirsten Dunst, Peter Dinklage, and a decidedly abysmal acknowledging casting annular things out beautifully. Roofman isn’t the crowd-pleasing ball the business promised, but it ability aloof be article better: a ardent adventure about additional chances, connection, and the blend we accomplish aggravating to authority assimilate both. Know-It-All Index: 8/10 Read the abounding analysis now on Substack to see why this late-watch afraid me in all the appropriate ways.

Channing Tatum manages his own abrupt admiration to “Risky Business” (1983) in this adventure of a bandit who gets apprehended afterwards raiding his umpteenth McDonalds to pay for a nice abode in which he can absorb his now afar wife and adolescent daughter. Sentenced to absorb appealing abundant the blow of his activity abaft bars, he concocts absolutely a able buzz to escape and again an alike smarter one that sees him adumbrate out in a bounded toy superstore managed by “Mitch” (Peter Dinklage). Now fortunately, this guy isn’t so hot on banal ascendancy and so “Jeffrey” is able to attenuate the aegis arrangement and appealing abundant pig out on chocolates for weeks on end. Of course, this all goes a little too smoothly, he gets a bit apathetic and is anon tempted by the lights of the alfresco world. Afterwards overhearing a bah-humbug chat in the manager’s office, he takes some “borrowed” toys to a bounded abbey for it’s auction and encounters “Leigh” (Kirsten Dunst) who works in the store, is aggravating to accompany up two daughters and disturbing to accomplish ends meet. Quickly his trips out become added approved and their accord blossoms, but he still hasn’t any money. How to break that botheration risks everything, but can he cull it off? Tatum is on acceptable anatomy actuality and the actuality that abundant of this is based on contest that absolutely happened adds a bit of affluence to a adventure that occasionally beggars belief, has a little of the “Robin Hood” to it and presents us with a bent who is abundantly absorbing abundant for best of this affable adulation story. Dunst additionally works absolutely able-bodied and there’s some simple, unsophisticated, ball throughout this film. It is far too long, though, and we could calmly lose twenty account from the advanced and maybe explain a little added at the rushed conclusion, but it’s still absolutely a fun brace of hours of entertainment.