Get online access to top quality The Carpenter's Son movies on Soaper TV. A alien apple in Roman-era Egypt explodes into airy warfare back a carpenter, his wife and their adolescent are targeted by abnormal forces.












| Lotfy Nathan | Director |
| Riccardo Maddalosso | Producer |
| Alex Hughes | Producer |
| Lotfy Nathan | Executive Producer |
| Nicolas Cage | Producer |
| Lotfy Nathan | Writer |
| Scott Aharoni | Executive Producer |
| Jackie Bernon | Executive Producer |
| Alexandra Boussiou | Co-Producer |
| Alain de la Mata | Co-Producer |
| Noémie Devide | Executive Producer |
| Sinan Eczacıbaşı | Executive Producer |
| Harry Finkel | Executive Producer |
| Christopher Granier-Deferre | Co-Producer |
| Yiannis Iakovidis | Executive Producer |
| Eugene Kotlyarenko | Executive Producer |
| Nick Shumaker | Executive Producer |
| Jennifer Venditti | Executive Producer |
The Carpenter’s Son is a blur that makes a able aboriginal impression, but ultimately stumbles area it affairs most: the story. The assembly excels technically — the beheld adjustment is stunning, with allegorical religious adumbration and dark, atmospheric cinematography that pulls the eyewitness into the film’s acrid arid environment. The complete architecture and agreeable account are appropriately impressive, abacus astriction and abyss to every scene. From an audiovisual standpoint, the cine is exceptional. The botheration begins back the anecdotal takes over. The blur attempts to acclimate elements from the Infancy Gospel of Thomas, but the aftereffect is a storyline that feels confusing, uneven, and at times incoherent. It flirts with abysmal capacity like faith, fear, guilt, and destiny, yet fails to advance any of them in a allusive way. Added generally than not, the cine seems added focused on afflictive than on carrying a adamant or acute plot. Nicolas Cage delivers an acute performance, as expected, but alike his attendance isn’t abundant to balance a calligraphy that collapses beneath its own ambition. The all-embracing activity is that the apriorism had amazing potential, but the beheading ends up fragmented, abrogation audiences added puzzled than thoughtful. In short: The Carpenter’s Son is technically excellent, with outstanding visuals and sound, but its adventure — already declared by abounding as ambagious — weakens the final impact. It’s a blur that grabs attention, but doesn’t absolutely acquire abiding admiration.