Enjoy all of the latest My Father's Shadow movies from Hollywood now here on SFlix. Two adolescent brothers analyze Lagos with their conflicting ancestor during the 1993 Nigerian acclamation crisis, witnessing both the city's consequence and their father's circadian struggles as political agitation threatens their adventure home.


















| Akinola Davies Jr. | Director |
| Wale Davies | Writer |
| Akinola Davies Jr. | Writer |
| Ama Ampadu | Executive Producer |
| Rachel Dargavel | Producer |
| Ed Guiney | Executive Producer |
| Nick Hayes | Line Producer |
| Andrew Lowe | Executive Producer |
| Funmbi Ogunbanwo | Producer |
| Eva Yates | Executive Producer |
| CJ Mirra | Original Music Composer |
| Duval Timothy | Original Music Composer |
| PC Williams | Costume Design |
| Jermaine Canute Edwards | Director of Photography |
| Akinola Davies Jr. | Executive Producer |
| Ṣọpẹ́ Dìrísù | Executive Producer |
| Wale Davies | Executive Producer |
| Omar Guzmán | Editor |
Fathers and sons generally accept complicated relationships. In abounding instances, boys generally don’t apperceive their dads as able-bodied as they would like (or at all), abrogation them with abounding changing questions about these individuals whom they accurately but frequently inexplicably alarm “parent.” So it’s absolutely barefaced how the analytical would jump at the adventitious to get to apperceive their fathers bigger back such opportunities present themselves. So it is for two adolescent boys, Aki (Godwin Egbo) and Remi (Chibuike Marvellous Egbo), who are arrive to accompany their father, Folarin (aka Kapo) (Sope Dirisu), on a day cruise from their alien apple to Lagos, Nigeria’s better city, area their dad works. As a active arch of the household, he generally spends months at a time in Lagos after seeing his sons or their mother, Bola (Efon Wini), a blue-blooded but cogent convenance that leaves a ample gap in the appearance of the family’s home life. Because of Folarin’s abounding continued absences, his sons apperceive little about him added than his allegedly abstruse adulation for them and his abiding charge to acknowledging them and his wife. But there’s added to this abridgement of acquaintance than aloof his concrete absence; Folarin is, by his nature, a man of abstruseness in abounding ways, and Aki and Remi apperceive around annihilation about this aspect of their father’s life. This includes his accomplished in Lagos, his courting and accord with Bola, and, conceivably best notably, his somewhat abrupt political outlook, a analytical aspect of his accomplishments in ablaze of the story’s backdrop, the awful arguable 1993 civic acclamation and its adverse aftermath. Over the advance of their journey, Folarin gradually reveals himself to his sons, cogent them belief about, and assuming them the haunts of, his past, gestures that accommodate him with windows into his character. They additionally accommodate opportunities for imparting astute activity lessons, abounding of which action a abstruse attending into Folarin’s ahead bearding self, the kinds of moments that usually leave abiding and allusive impressions. Anyone who has anytime had a accord with his ancestor affiliated to the one portrayed actuality will assuredly acquisition this a affecting and abating story, one abiding to tug at the heartstrings and possibly accompany a breach or two to one’s eye (so accumulate the hankies handy). The blur additionally provides an enlightening, abrupt assignment into a key accident in the history of Nigeria’s post-colonial era, one that’s relayed acutely and advisedly but after acceptable disproportionately belabored, depicting a time in the country’s accomplished that abounding Westerners acceptable apperceive little about. But, conceivably best importantly, this is a affective account (said to be semi-autobiographical of writer-director Akinola Davies Jr. in his affection blur debut) that’s absolutely affecting on assorted levels, acknowledgment in ample allotment to the picture’s accomplished calligraphy and accomplished performances of its three principals, including the two adolescent newcomers. “My Father’s Shadow” is acutely one of the best affable surprises to appear out of this year’s festival, one able-bodied account the time to watch, flavor and enjoy.
“Everything is sacrifice. You aloof accept to adjure you don’t cede the amiss thing” That's a mantra that best parents apparently accede as they try to do their best for their family, and it's absolutely that which drives "Fola" (Sope Dirisu). He and his wife accept two adolescent sons, but activity for them is hard. He has absent abundant of their accomplishments as he had to leave academy aboriginal and is so working, unskilled, in Lagos whilst their mother has article hardly added acceptable nearer their home. The furnishings of this are proving absolutely abstruse on the boys, but on a ad-lib cruise with their dad to the burghal we ascertain that he, too, is acutely acquainted of the appulse on the choices - if choices they absolutely are - that he is accepting to accomplish to accumulate his ancestors safe and provided for. It's acclamation time in Nigeria, and as the boys bout the burghal they appointment some of the optimism and the toxicity that engenders as the advertisement of the aftereffect draws nearer. What absolutely works actuality is the artlessness of the accomplished thing. The two lads - "Remi" (Chibuike Marvellous Egbo) and "Akin" (Godwin Egbo) are adolescent abundant to be affianced by the burghal and it's fun fair, but additionally old abundant to butt some of the sacrifices actuality fabricated by their parents and of the calmness of a political bearings that looks like it will prove added perilous for their adventure home than it was advancing in. Like the acquisitive apprehension of a football match, they anticipate - but aloof how will the accident aggregation react? Will there alike be a aftereffect at all? Both of these adolescent actors present with an agreeable aplomb throughout, and they assignment able-bodied with the advised accomplishment from a Dirisu who conveys his benevolent aspirations for his kids and himself whilst emphasising his abysmal amore for their mother in a absolutely absolutely touchingly agitating fashion. Their cruise additionally highlights the iniquities of Nigerian association in this all-inclusive conurbation, with a machete wielding mob not at all absorbed in the bodies on the beach, but added in a bang that can accommodate meat for abounding for days. As their day unfolds, both the accouchement and their ancestor apprentice added of the airiness of their association and Akinola Davies delivers those adverse letters to us in a attenuate yet bull manner, after recourse to boundless abandon - but added by application these characters to betrayal the cracks and the glues in their nation. Along the way, there is still time for some fun and aloof a few scenes that accept you on the bend of your bench - for assorted affidavit - and as an ascertainment of a man bent to ensure that aloof as with him and his own father, the lot of his own ancestors charge be an advance on his own childhood.